Client Connections 2026

ASJA Client Connections

Client Connections 2026: April 23-24

 

Client Connections (CC), ASJA’s signature event, offers one-on-one meetings with top magazines, newspapers, book agents and marketing agencies; the connections made can lead to long-term successful business relationships. CC 2026 is taking place virtually on April 23-24, hosted in conjunction with the ASJA 2026 Annual Conference.

Only professional members are eligible to register for CC, a series of nine-minute meetings with editors and agents. Participants pitch story ideas to editors, book proposals with agents and discuss their areas of expertise with content managers. After following up, members often find themselves with new client contacts and new assignments.

Register for the conference and CC26, or just sign-up just for CC26, if that’s your preference. To learn more about Client Connections, visit the CC FAQ page.

Scroll down to see the list of registered CC26 clients.

Pitching or otherwise contacting editors before CC appointments is a violation of CC guidelines that can prevent participation in future Client Networking events, including VCC, VPS, and Client Connections.

Registered Clients

Come back often between now and April 4th to see the growing list of clients who have registered for CC26.

AARP The Magazine/AARP Bulletin

Category that describes your organization: Print publications with an affiliated website (aarp.org) 

Range of fees you pay your writers: $1-$2 word depending on the assignment 

Types of projects you typically assign:

  • Service journalism related to the personal-finance concerns of Americans age 50 and older: Saving, spending, money management in retirement, estate planning, taxes, working.
  • 1,000-word personal essays for our website about experiences relevant to the lives of Americans age 50 and up. 

Areas of expertise: Experience writing about money. 

Are you looking for pitches? Yes. Though I haven’t been able to use many of the pitches I’ve received at prior ASJA events, my feedback on your specific ideas may give you a better sense of what works for the publications. 

Additional info:

  1. The most common problem with pitches that I receive is that, in the words of a former boss of mine, they are subjects, not stories. A pitch headlined “What to Tell Your Adult Children About Your Money” is a subject. “Why We Told Our College-Age Children About Our Money” is a story — and one that we ran in a recent issue.
  2. It will be very helpful for both of us if, before we meet, you explore this folder. It includes a document I’ve written about money coverage in the publications, along with samples of stories that have run in the Bulletin & in AARP The Magazine. https://drive.google.com/drive/folders/19gthXnZg6V1vIANN96BNP3I1wKKMp4Xg?usp=sharing 

Amplify Publishing Group

Category that describes your organization: Hybrid publisher 

Range of fees you pay your writers: $.03 per word for copyediting, $.05 per word for developmental editing, and $.07 per word for content editing. Ghostwriting is a flat fee: ~$30,000 for a 50,000 word manuscript, but it can range widely depending on the author. 

Types of projects you typically assign: We publish a wide range, but specialize in thought leadership, business, and self-help adult nonfiction.

Areas of expertise: No specific areas of expertise, but we’re always interested in working with writers who are ghostwriting or editing books for authors with a business/thought leadership background

Are you looking for pitches? No need to pitch during the meeting.

Additional info: Please take a look at our website (amplifypublishinggroup.com) if you’d like to see more about the types of books we publish.

Atlanta Magazine

Category that describes your organization: Monthly print publication plus original digital content; award-winning and largest general interest magazine covering metro Atlanta

Range of fees you pay your writers: Features $1/word; shorter stories pay flat fee ranging from $300 for 500-word stories to $800 for 800-1,200 word stories. Digital rates range from $200 to $500 (assigned by a different editor)

Types of projects you typically assign: Looking for Atlanta-related reported journalism across all subjects (with the rare personal essay or longer narrative-nonfiction, always with an Atlanta focus), average 6-week turnaround on assignments, with issues shipped two months before available on newsstands.

Areas of expertise: We are always seeking pitches on Atlanta-focused content, ranging widely from politics, sports, arts, culture, science, business, etc. Evergreen content is welcome as well as timely content, but needs to be assigned far in advance to accommodate our long pub timelines.

Are you looking for pitches? Actively accepting pitches! More info here: https://www.atlantamagazine.com/contact-us/pitches/

Additional info: Please check out our digital publications (the last few years’ issues are all available online) to get a sense of our tone and content! You don’t need to be an Atlanta-based writer to pitch us, but your story should have a metro-Atlanta focus.

Boston College Magazine

Category that describes your organization: University alumni magazine

Range of fees you pay your writers: Flat fee. Ex: $700 for a 600-800 word piece.

Types of projects you typically assign: We’re looking for pitches for profiles on Boston College alumni doing important, interesting, unique work in all fields.

Areas of expertise: Experience working with university alumni magazines on a breadth of beats is ideal.

Are you looking for pitches? Would prefer to use this time to get to know writers.

Casual Astronaut

Category that describes your organization: Content marketing agency

Range of fees you pay your writers: 50 cents/word. For more technical or medical content, $1/word.

Types of projects you typically assign: Digital content + Publication content+ Website content + Email content + Landing page content

Areas of expertise: We’re looking for writers who can cover topics in one or more of our 4 main verticals: higher ed, healthcare, travel and nonprofit. We also do some work with financial services companies.

Are you looking for pitches? Nope! We work through topics with our clients before assigning.

Additional info: We create content for a range of clients, for a range of platforms–from printed and digital annual reports and bi-annual publications to digital content hubs and websites. Learn more: https://www.casualastronaut.com/

Common Good Magazine

Category that describes your organization: Print magazine

Range of fees you pay your writers: We typically pay $.50 a word and up; we happily negotiate based on the workload of a given assignment.

Types of projects you typically assign: At Common Good, we make our award-winning magazine for people of faith who want to leverage their whole selves toward God’s mission in the world. That’s why we talk about all of life: work and the economy, church and community life, athletics and the arts. We’re a space for deep conversations, carefully told stories, and ideas that matter — all written with a spirit of humility and generosity.

Our print magazine runs feature-length pieces up to 5,000 words and occasionally beyond, but only a handful per issue. We also acquire articles at a range of lengths for the front and back of the book, from graphically driven 500-word explainers to 1,300-1,800-word reported pieces.

While we’re open on form (we’d consider pieces of the personal narrative kind), we’re inclined toward reported narrative essays and journalism, interviews, and researched stories. For us, reported pieces don’t necessarily mean hard news, but our expectation is that each piece expresses a broad understanding of its subject — to set context for arguments and counterarguments — and includes at least two or three meaningful sources, either via research or interviews

Areas of expertise: We’re currently looking for more writers with a demonstrated ability to approach a story journalistically. We’re also interested in connecting with writers who have specific expertise in covering economics, the arts, and sports.

Broadly speaking, the magazine covers topics related to living an integrated Christian life. This means that our work aligns with our publisher’s foundational beliefs (madetoflourish.org/foundational-beliefs). While that doesn’t mean every contributor agrees with each and every theological point, it does mean we don’t promote material contrary to these beliefs.

Are you looking for pitches? We are open to pitches that align with our criteria, and also to getting to know prospective writers. One way to stay notified when we are looking for writers for specific topics we’ve identified is to sign up for our call for pitches email list here: https://commongoodmagazine.substack.com/.

Additional info: To get the best sense of what we’re looking for, read some of our work at https://commongoodmag.com or find the latest issue at your local Barnes & Noble.

Consumers’ Checkbook

Category that describes your organization: Website and Magazine

Range of fees you pay your writers: About a dollar a word

Types of projects you typically assign: We are looking for pitches on consumer issues ranging from appliance repairs to scams.

Areas of expertise: Writers who can do investigative pieces on consumer scams, personal finance, and home repairs.

Are you looking for pitches? Yes.

Additional info: Please look closely at our website before pitching: https://www.checkbook.org/. General articles or listicles are not our forte.

EM Marketing

Category that describes your organization: Marketing Agency

Range of fees you pay your writers: We have consulting projects that range from $40/hr-$125/hr and other projects are priced per piece like $200 to edit a piece.

Types of projects you typically assign: Content strategist, Writer, Social Media Marketer

Areas of expertise: We’re looking for writers in tech, AI, workforce/human capital management, enterprise resource platforms, fintech. If they have written in roles as a writer, content strategist, editor, product marketing manager, or anything within the marketing realm, that is most helpful.

Are you looking for pitches? Not at this time.

Additional info: We are a boutique marketing agency based in the San Francisco Bay Area. We place consultants in various marketing roles at companies of all shapes and sizes. To learn more visit our website: https://e-m-marketing.com/.

Heather Jackson Literary Agency

Category that describes your organization: Literary Agency

Range of fees you pay your writers: N/A

Types of projects you typically assign: We specialize in commercial non-fiction, both narrative and prescriptive, and in contemporary fiction. We represent top-tier authors in health and well-being, psychology/self-help, politics and current affairs, as well as memoir and personal finance. We are always on the hunt for brilliant writing and deeply moving journalistic narratives that share insights into unseen aspects of our culture, subcultures, and the function or workings of our world. We love big ideas and groundbreaking big think books. We love historical and contemporary fiction penned with propulsive storylines, sharp and textured writing, and peopled with vivid characters. We are also interested in genre fiction such as fantasy, romance, mystery, and thriller. Lastly, we are steadfastly looking for a reliable narrator who isn’t a psychopath, a multi-generational family saga that surprises, and, well, something that is just pure magic…reminding us that a creative hand can take us places we didn’t even know we wanted to go.

Areas of expertise: I’m seeking a writer who is an expert on/interested in writing a book on modern relationships, the “male loneliness epidemic,” attention spans, adult autism diagnoses, the value of college amid a student debt crisis, the case against widespread AI implementation, metabolism, pressing topics in women’s health, travel writing in the outdoors, extreme sports, or uncovering/investigating history and culture. Broadly, we seek writers that are adept at research and can write about subjects within health and wellness, self-help, psychology, finance, and more.

Are you looking for pitches? My official manuscript wishlist has everything I’m searching for at the moment, but I’m open to pitches within prescriptive nonfiction and compelling narrative nonfiction outside of memoir: https://manuscriptwishlist.com/mswl-post/irene-kaster/ I’d love to spend at least some time during the meeting to gauge whether the writer is interested in working as a collaborator (ghost writer) for future projects. Do they have experience collaborating on full-length books in the past? If so, what subjects?

Additional info: The Heather Jackson Literary Agency is a NY-based, full-service firm specializing in book-based author representation with an expertise in commercial nonfiction and fiction properties. Its founder is a member of the AALA, Authors Guild, PEN America, and Women’s Media Group and is a bookworm with 25+ years of publishing experience.

Literary Advisory Services

Category that describes your organization: Literary Agency & Content Coaching

Range of fees you pay your writers: N/A

Types of projects you typically assign: We represent research-based and narrative non-fiction works on a wide-range of topics including history, science, sports, psychology, business, health and wellness, global issues and foreign affairs, personal growth and performance-based topics. ancient wisfom for the modern world, untold stories from American history and a select number of historical and psychological thriller fiction titles.

Areas of expertise: I’m always very interested in fresh, counter-intutive approaches to traditional ways of thinking and the quirky, sometimes ‘off-beat’ untold story. I’m fully engaged with presentations that descibe how intersectional domains can shine a light on new ways of thinking per our recent bestseller What I Learned About Investing from Darwin, Pulak Prasad.

Are you looking for pitches? Looking for concise, no bs pitches that clearly present that value-added being created with the work and how the authors everyday ativities will help promote the work in a very crowded marketplace.

Additional info: Besides agenting for authors (now for 35+ years), also offering a content and manuscript consulting service per www.LiteraryAdvisoryServices.com

MediaFeed.org

Category that describes your organization: Digital Publication and Agency

Range of fees you pay your writers: Really depends on the project and where it’s being published. Some research projects are $2/word – shorter “fun” articles may be $100. We also help independent journalists syndicate their content through MediaFeed for free.

Types of projects you typically assign: Anything and everything, though most of our content creation is in house.

Areas of expertise: We’re building a new media ecosystem that connects independent newsrooms with real audiences—no paid traffic required. Journalism is moving beyond traditional newsrooms. We grow authoritative, diverse voices through strong editorial distribution, SEO and LLM visibility, and trusted audience reach via the MediaFeed Newswire.

Are you looking for pitches? Not really.

MobiHealthNews

Category that describes your organization: Digital health publication

Range of fees you pay your writers: We are looking to hire an editor full-time that will work for both MobiHealthNews and Healthcare Finance News. Both are publications of the Health Information Management and Systems Society (HIMSS), which puts on the 4th largest healthcare conference in the world.

Types of projects you typically assign: MobiHealthNews focuses on healthcare technology and Healthcare Finance News’ beat is pretty self-explanatory.

Areas of expertise: Healthcare, digital health, finance

Are you looking for pitches? I’d like to get to know the writer.

Additional info: The writer would be expected to meet hard deadlines and write two approx. 800 word articles a day. There is also a requirement to perform video interviews for HIMSS TV on occasion.

Muse Media

Category that describes your organization: Literary agency

Range of fees you pay your writers: N/A

Types of projects you typically assign: For fiction I’m looking for commercial middle grade writers. On the adult side I am looking for commercial mystery and romance. I also work on business how to/management books.

Areas of expertise: Looking for writers primarily writing commercial fiction.

Are you looking for pitches? I’d be happy to listen to pitches. For fiction I would have to read their work. If it is a business book they should have a proposal. For all writers they should be thinking about who the book is for.

Nordlyset Literary Agency

Category that describes your organization: Literary agent working in trade book publishing

Range of fees you pay your writers: N/A

Types of projects you typically assign: I focus on idea-driven nonfiction that expands our understanding of the world in science, investigative journalism, smart self-help, psychology, biography, and narrative history.

Areas of expertise: I’m always looking first and foremost for strong writing and great story telling.

Are you looking for pitches? Yes, I want to be pitched on book-length projects.

Professor Media Group (Alcohol Professor, Cheese Professor, Chocolate Professor, Olive Oil Professor)

Category that describes your organization: Digital

Range of fees you pay your writers: It’s a range of $200-$250 depending upon the story and expertise of the writer

Types of projects you typically assign: We’re looking for stories of 500+ words that will perform well online.

Areas of expertise: We are looking for writers with experience writing about wine, spirits, cocktails, beer, cheese, chocolate and olive oil.

Are you looking for pitches? Links to our guidelines and pitching instructions are here: https://docs.google.com/document/d/184CmgAgg0AwSrW-bPipxPQSESu_NixDUK0WPXmUOt_M/edit?tab=t.0

Additional info: Please review the sites before pitching. We require two expert sources for most stories and writers are responsible for sourcing photos.

Religion News Service

Category that describes your organization: Online news site covering the world of religion, faith, politics and culture

Range of fees you pay your writers: $750-1000 for 800-1500 word reported pieces.

Types of projects you typically assign: We are looking for pitches for 800-1000 word newsy articles -profiles, trend stories–in which faith is central to the story.

Areas of expertise: We are specifically looking for journalists who can cover immigration news using a faith lense-specificallly stories that examine some aspect of the intersection of faith/immigration in the US. For instance, past stories have included coverage of faith-led protests against ICE enforcement in Minneapolis and clergy’s lawsuits to seek access to detention centers to provide spiritual care.

Are you looking for pitches? I am looking for written pitches for a series called the American Atlas of American Belonging, which will be examining how belonging has been claimed, contested, challenged and denied to various immigrants of faith in the US.

Additional info: Please look at our website, https://religionnews.com/ for more info about our content and voice.

Rita Rosenkranz Literary Agency

Category that describes your organization: Literary Agency

Range of fees you pay your writers: N/A

Types of projects you typically assign: I represent a wide-ranging list of adult non-fiction (just about every mainstream category and then some), and am especially interested in projects that further the conversation on a topic we thought we knew or a new topic that we have overlooked, written by an expert who can offer an important, ideally commercial, perspective. www.ritarosenkranzliteraryagency.com

Areas of expertise: I have an open-minded list, and so I am interested in hearing all adult non-fiction pitches.

Are you looking for pitches? I expect to hear pitches during these sessions.

Scientific American

Category that describes your organization: Digital and print publication 

Range of fees you pay your writers: Flat fee ranging from 500 to 7000, depending on the story. 

Types of projects you typically assign: I’m looking for pitches on health topics with strong and new scientific support.

Areas of expertise: We’re looking for science writers who can tell stories that fascinate a non-scientist audience. 

Are you looking for pitches? You can pre-pitch an idea to get a sense of whether we are interested. Bear in mind that we do need written pitches before assigning, and these pitches range from 2 paragraphs for short stories to a page and a half for long ones.

Additional info: Please look at our web site, SciAm.com, or print issues to remind yourself what we have already covered, and the approach we take to content, voice, and sources. 

Straight Arrow News

Category that describes your organization: Digital news organization

Range of fees you pay your writers: Our rates start as laid out below, and go up to $1/word for stories up to 1,200 words.

Standard features: Stories that require at least three sources interviewed and produce original reporting; typically 800-1,000 words. RATES BEGIN AT $500

Deep dives: Stories that require more than three sources interviewed, as well as analysis and data, which may be acquired via public records requests; typically 1,200 to 1,500 words. RATES BEGIN AT $750

Longform enterprise: Stories that require at least five sources to be interviewed, as well as intense analysis and the use of several data points, which are not readily available and for which the reporter smartly uses investigative skills to find a unique way to tell a story that hasn’t been reported elsewhere; may exceed 2,000 words. RATES BEGIN AT $1,200

Types of projects you typically assign: We are looking for deep dives and standard features, as described above. While we are always on the hunt for longfrom enterprise told by freelance writers, we usually write these stories in house. To date, we have only commissioned one from a freelancer. Typically we are looking for stories that can be turned in 1 to 3 weeks

Areas of expertise: Straight Arrow News is a national news website that focuses on unbiased coverage. Our freelance pieces fall within our SAN Originals vertical, which you can find on the right rail of our website. These stories require original reporting, and can venture into solutions journalism, or highlight local issues that could be of interest to a national audience. We report on everything from immigration to space. If the story itself is interesting, and the reporting is revelatory, we’re not picky about which topic we’re covering. What we are picky about is producing highly engaging work that is fair, true and unbiased.

Are you looking for pitches? Yes, absolutely. Please see more details about what we’re looking for here: https://job-boards.greenhouse.io/straightarrownews/jobs/4006731009

Additional info: Please take some time to see our website, at https://san.com, and refer to coverage specifically in the SAN Originals rail on the site to understand the kind of work we commission from freelancers. We expect articles to include at least three interviews, along with other contextual information. Most importantly, we expect that our writing remain unbiased, and rings true with our mission statement: “Straight Arrow News is committed to unbiased, fact-based journalism in an environment where media mistrust is at an all-time high. With today’s divisive political and media environments, our goal of serving you, not any party’s agenda, is even more critical.”

Ted Weinstein Literary Management

Category that describes your organization: Non-fiction Literary Agency 

Range of fees you pay your writers: N/A

Types of projects you typically assign: We represent authors of non-fiction only, with particular interest in journalism and narrative nonfiction, popular science, business, personal finance, biography and history, current affairs, politics, health and fitness, food and cooking, entertainment and pop culture (often based on popular Web sites or blogs), and quirky reference books. We do not represent fiction, stage plays, screenplays, poetry, or books for children or young adults.

Areas of expertise: We are eager to learn about your areas of expertise.

Are you looking for pitches? Book project pitches, please. 

Additional info: Please visit our web site for more information about the agency as well as many resources for authors: www.twliterary.com.

The Food Section

Category that describes your organization: Digital magazine covering food and drink across the American South; our flagship product is a daily newsletter

Range of fees you pay your writers: $1058.16 for a 1000-word feature

Types of projects you typically assign: At The Food Section, we serve eaters across the American South by providing them with the information and analysis they need to better understand and appreciate their food-and-drink experiences in our region. Or to put it another way: We break the news and tell the stories that make readers’ meals more meaningful. Those readers are a whip-smart bunch. The Food Section each weekday lands in the inboxes of thousands of high-profile food chroniclers and everyday eaters who crave new ideas and perspectives. They’re equally interested in the joys of dining and justice for those who make such pleasure possible. If you can answer a question on our subscribers’ minds—or, even better, coax them to question an aspect of culinary culture that they’d never previously considered—we want to hear from you.

Areas of expertise: We prefer to work with writers based in the Southeastern U.S.

Are you looking for pitches? For sure. https://forms.gle/CshBCghP9csL8VGB7 

Additional info: In terms of topics, the only real limitation is geographical. Just about every story has a food angle, but for The Food Section’s purposes, that story must unfold in Alabama, Arkansas, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia, or West Virginia (or the northernmost reaches of Florida, which The Food Section claimed because of its sunshine laws—which ought to tip you off that The Food Section is fond of stories with hard news hooks and corroborating data.) That said, a few types of stories aren’t appropriate for The Food Section. Foremost among them are stories which have already appeared elsewhere: Run a quick Google search to check whether your pitch is original.

In fact, even stories that could appear elsewhere are relatively suspect in The Food Section’s eyes: We’re not in the market for trend pieces without tension, restaurant write-ups that a publicist would be inclined to repost on Instagram, do-gooder profiles calculated to inspire, retrospectives that romanticize the past, or listicles that flatten the nuances of race, gender, class, and sexual orientation (i.e. “Meet eight great Asian-American chefs in Georgia!”) Also, The Food Section doesn’t run recipes. As for tone, The Food Section has taken on plenty of weighty topics, and prides itself on not shying away from challenging situations. But food is supposed to be fun: It’s OK to be playful in your approach, so long as you can maintain your authority. Good food journalism isn’t boring. And speaking of journalism: The Food Section upholds the highest journalistic standards, including in the realm of ethics. Please review the Association of Food Journalists’ ethics code before pitching to make sure you can comply with its standards. The Food Section will not publish any reporting based on press trips, free meals, or other comps.

Additionally, prospective contributors should disclose any potential conflicts of interest, including personal or professional relationships with their subjects. In keeping with the ethics code, contributors should strive to showcase a broad range of sources in their reporting. If you plan to consult with subject matter experts, make sure your contacts represent a variety of identities and lived experiences. The Food Section recognizes that many people interested in writing about food don’t have extensive journalism experience. If you’re concerned about your credentials or feel like you might need some help with reporting tactics, you should still pitch: What’s most important is your unique ability to tell the story you’ve uncovered and recognize why it matters now.

The Transmitter

Category that describes your organization: Editorially independent online news site for neuroscientists

Range of fees you pay your writers: Pay starts at $1/word

Types of projects you typically assign: The Transmitter seeks pitches from freelance journalists for news stories, trends and features that would interest our audience of researchers. We also consider ideas for Q&As with, or profiles of, interesting scientists. Articles typically range in length from 600-800 words for news with a one-week turnaround on assignments, and go up about 1,500-2,000 words for features with a longer turnaround.

Areas of expertise: The Transmitter is looking for writers who can cover basic neuroscience research for an audience of neuroscientists. We are always seeking pitches about current events that involve or have implications for working neuroscientists.

Are you looking for pitches? Writers are welcome to pitch story ideas during my meetings, but mainly I plan to use the time to get to know writers and tell them more about The Transmitter and what we’re looking for.

Additional info: Our outlet is a trade publication for scientists, not the general public. The site covers all areas of neuroscience, with a special focus on basic research. Please look at the past coverage on our site to find out more about our content and voice. We expect articles to include at least three sources. Writers are responsible for ensuring the accuracy of their work.

Williams College, Williams Magazine

Category that describes your organization: Liberal Arts college with a print and digital magazine as well as a digital storytelling hub

Range of fees you pay your writers: Generally between $1 and $2 per word for magazine stories, dependent on the complexity of the story, number of sources, and amount of research. Web stories are usually single-source (or two-source) and paid at a rate of $350 to $500.

Types of projects you typically assign: We are looking for pitches or to commission articles across a variety of media. Magazine stories vary in length from 700 to 2,500 words; web-only stories are usually no more than 700. Williams Magazine and the website Williams Today strengthen the supportive connections between Williams College and its alumni by providing readers with compelling and engaging experiences. Harnessing the singular advantages of the magazine format, the magazine and website:

• explore the past, present and future of Williams and immerse readers in the important work of faculty, students and staff;
• highlight the personal and professional contributions of alumni to their communities and the world;
• address issues pertinent to the college, to higher education and to society at large through a Williams lens; and
• response to the desire for lifelong learning and intellectual engagement that Williams instills in its students.

We tell these stories with honesty, integrity, creativity and style. We do so in a manner that recognizes the diversity of thought and experience of its readers—primarily alumni but also Williams parents, faculty, staff and others. And our stories reflect the excellence of Williams and the college’s dedication to the advancement of humanity through great teaching and scholarship across the liberal arts.

Areas of expertise: We are looking for writers who can dig into complex ideas and tell compelling stories in a way that both engages the casual reader and satisfies the subject matter expert. With more than 60 areas of study—and professors, students and alumni teaching, learning and continuing to learn about them—there’s no shortage of issues to cover. Storytelling at Williams is informed by the institutional priorities/content areas listed below. Not all are applicable to every story, and there’s no need to force any of them in. It’s helpful to have the list on hand as you think about an assignment or pitch. You can find out more about any Williams-specific programs (e.g., tutorials or Winter Study) using the search on our home page, www.williams.edu.

Academic Excellence: Student and faculty research (especially STEM/Data Science); Mentoring; Tutorials; Learning by doing/experiential learning; Winter Study; Grants and Fellowships; Global Scholars; Rice Center for Teaching

True Affordability: All-Grant Financial Aid Program; Summer opportunities (including internships); Williams’ position as a national leader in access and affordability; Economics of financial aid (role of the endowment, fundraising, net tuition)

Non-traditional students (Veterans and Transfer Students): Partnerships with military, community colleges, and associated organizations; Financial aid and programs/services for non-traditional students

Life Beyond the Classroom: Athletics; Integrated wellbeing; Residential life; Co-curricular activities; Student-faculty-staff interactions (e.g., Lyceum Dinners)

Davis Center (Diversity, Equity, Inclusion and Accessibility): Allison Davis Research Fellowship; Summer Science Program and Summer Humanities and Social Sciences; Community Engagement Fellows; Dialogue across differences examples (e.g., JRC Shabbat dinners)

WCMA (Arts at Williams): Teaching and Learning with Art; Mining and Diversifying the Collection; Nurturing the Cross-Disciplinary Arts; Partnering across the Cultural Ecosystem; Influencing the Future of the Arts; Advancing Infrastructure and Sustainability; A new, purpose-built museum due to open in 2027

Cross-cutting commitments of the above: Diversity, Equity, Inclusion and Access; and Sustainability

Are you looking for pitches? I’d prefer to get to know writers and see if their expertise matches our needs for future assignments. I would welcome pitches, but I’m also curious to know what relevant and related experience they have that matches our tone, voice and subject matter

Additional info: You can review our content and stories at today.williams.edu. Click on the link for the magazine for content published in Williams Magazine. The content that appears at the link for Stories is generally web-only. Both will give you a sense of the types of stories we publish, the subjects we cover, etc.

WordServe Literary Group

Category that describes your organization: Literary Agency

Range of fees you pay your writers: N/A

Types of projects you typically assign: I’m looking for adult non-fiction that is funny, nerdy, helpful and true.

Areas of expertise: We work with established experts and thought leaders who can write a book that makes the world slightly better in a style that delights readers. Areas of interest include health and wellness, science and nature, family and relationships, history, personal narrative, faith and religion, pop culture, business and leadership. No children’s books or fiction.

Are you looking for pitches? Please bring a 30-second book pitch.

Additional info: Our boutique agency is over 20 years old, represents over 200 authors, and has brokered over 1000 book deals. Due to our history of established relationships in both the general market and Christian market, many of our authors are members of the faith community.

WordLink Literary Agency

Category that describes your organization: Literary Agency

Range of fees you pay your writers: N/A

Types of projects you typically assign: We represent adult non-fiction titles on a wide-range of subjects including memoir, history, humor, music, how-to, popular science, business and politics/current affairs.

Areas of expertise: We are looking for writers who can take a single event (a shipwreck, a specific crime, or a corporate scandal) and use it as a “telescope” to view larger societal issues like global supply chains or the “dark web.” We are also looking for authors who have “witnessed the room where it happened” in culture or politics but haven’t spoken yet—or those exploring “family empires” and their subsequent collapse. We’d like authors who can write the “biography” of a physical object—like the rare earth metals in our phones or the history of sickness/pandemics—are highly “pitchable” and writers tackling the “Information State,” government-tech alliances, and the ethical costs of the “Green Transition.”

Are you looking for pitches? We would like book proposals to be sent to zeynep.wordlink@gmail.com.

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